Aaron like little film school that was very interesting and it was like a one-year program but it was like you just make as many films as possible and that ended up being like a pretty cool experience just you know not that the you know level of teaching was so crazy high but that you just got to sit down and experiment with not sit down but actually go out and experiment with uh you know these cameras and it's kind of just like a free rental house okay where we would just take out of cameras like go film some random stuff for a week come back we don't talk about our films and the same we save it next week and made a bunch of stuff most of it crap but uh some of it's okay and it's learned a whole lot just by doing it which is what I recommend to you know anyone and from then on like tried going back to LA for a while um working on you know big film sets over there which was good learning experience but by this time I'd already become kind of addicted to the European lifestyle in La just wasn't going to cut it anymore yeah um I couldn't see myself you know driving two hours each day and sitting in traffic and you know hardly seeing your friends because basically the problem in La is to see your friends you're going to have to drive there and that could take a long time people get lazy and then if you drink it becomes a huge problem it's very expensive to get Ubers and it's a very much less social environment and Berlin is quite different in that respect you know it's very well connected publicly and so I came back to Berlin and started you know got the freelancer Visa as a filmmaker and uh just started working on whatever little Productions I could
Serhiy did you uh learn how to do that like the most practice you got from this school that you were filming for for how long did you do that the school yeah the school was a one-year program one year so it was like an intensive almost like in terms of you know we're doing stuff all the time uh so yeah I got a lot of practice to that uh by your camera by that time first that time I had my yeah
Aaron my first camera is like a Canon 5D or something like that Mark II and so with you know that experience I was able to start working on like small low budget things but what also helped on the other hand was going to La and getting that experience on you know very high-end Productions and of course I was working on the lower end of the spectrum like on a big crew I was you know a grip which is like a guy who's helping to set up the lights and such things um but you get to see it firsthand how experts you know experts are doing it and learned a lot like in six or seven months eight months of working on commercials I learned a whole you know like you know I could learn the whole fucking ton and I was able to take all that experience combined and come back to Berlin and then start you know working more as a cinematographer a director sometimes uh editor as well
Serhiy do you fun find do you fund your own movies yourself right
Aaron some of them I mean I have plenty of passion projects um you know that's what any filmmaker has to do if you want to you know start making things that are not so commercial yeah uh but also you know was able to find jobs doing music videos for you know typically smaller artists you know it's not like I'm working for uh you know Beastie Boys or you know that's that's a way out of date isn't it do you even know who the Beastie Boys are uh fight for your right to party bro let's go